Walter Van Beirendonck - DRAW THE WORLD AWAKE

5 - 21 June 2026
Gallery Sofie Van de Velde is pleased to announce an upcoming exhibition by Walter Van Beirendonck, titled DRAW THE WORLD AWAKE — also the title of his recent book of drawings.
Opening during Antwerp Fashion Weekend, the exhibition will bring together a large selection of 155 drawings (both A4 & A3).
These works occupy a crucial place within Van Beirendonck’s practice. Created at the very beginning of the design process, after periods of research and collage making, the drawings become the moment in which an entire world takes shape. Not only the clothing is determined here, but also the styling, make up, hair and overall attitude of the collection.
The exhibition reveals the radical freedom and playfulness that runs throughout Van Beirendonck’s work. His drawings move restlessly across the page, filled to the edges with colour, symbols, text and figures, refusing restraint as much as his fashion does.
The drawings will be presented through a custom spatial installation developed in close dialogue with the artist, creating a dynamic environment where the works appear to float in space.

More information soon.

Bernd Lohaus

The Way Things Settle (curated by Brenda Guesnet)

Bernd Lohaus (1940-2010) was an artist who worked in sculpture, painting and drawing. He was born in Düsseldorf, where he first studied classical sculpture and later became a student of Joseph Beuys. In the mid 1960’s, he moved to Antwerp, where he founded the ‘Wide White Space’ gallery with his wife, Anny De Decker, and brought the international avant-garde to Belgium while continuing to develop his own artistic practice. From the 1970’s onwards, he focused more intensely on his art, gradually establishing himself as an influential artist of his generation within the international movements of social sculpture, Fluxus and Arte Povera. 
 
This posthumous exhibition centres on a series of action paintings from the 1970’s, for which the artist thrust handfuls of pure pigment against the corners of his studio in the Verbondstraat in Antwerp, leaving behind explosive bursts of colour that transformed the space into a three-dimensional canvas. Three of these works, realised in the primary colours of blue, yellow and red, are reenacted for the exhibition, the loose powder resting on the walls and floor of the gallery. These works can never be realised in the same way twice, and their re-staging intends to bring out aspects of unpredictability and vulnerability in Lohaus’ diverse oeuvre. The three in situ works are shown alongside works on canvas from the same period. 

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